Four Towers (2018), is a group of four large ink-on-paper paintings that are based on a tower of plastic chairs that Kaplow constructed in her studio (76” x 53” each.) These chairs, called Monobloc, are made from molds injected with polypropelene, and are the most ubiquitous chair around the globe. Designed to be the “perfect modernist chair” – cheap, easy to produce, and lightweight, they are also easily broken, unrepairable, and disposable. Wailing Wall is a hyper-realist ink painting of the chair-tower, precariously hovering above the viewer’s head – a reinterpretation of Brancusi’s modernist sculpture, Endless Column. The Past is Often a Body features an empty white “portal” superimposed on a dissolving tower of chairs. Further abstracted, Mass Tone depicts the tower as an almost mechanical figure in fluid, oily greys and blacks. White shapes scatter across the form, reflecting the negative spaces of the chairs. Then it Can Be Changed, the fourth in the series, is the most abstract. The negative spaces themselves become the anti-form which dissipate and float, like particulates in the air.